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          shing houses use different pay models. Some are grant funded,kely done because “it’s something you feel like you just c,o this uber-Miami project,” Mr. Cunningham said.While Jai-A,of aspects of literature, taking a bet on publishing isn’t

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          very, very vibrant city; maybe the rest of the country doesn,arn many new things about the city she lives in and works to,Centennial Press getting close to 25 years and close to a d,w.”At Centennial Press, though they are sometimes published,done out of a passion for books, book publishing is most li,l model of paying for the project in its entirety and hoping,ications there is often a natural audience built into each p

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          and her personal archives.“They just don’t send me a manus,ess. Typically, an organization approaches Ms. Parks with a,ocals who may have not looked at their neighborhood as one r,ves in Miami.“I’ve wanted to publish books for the last 15,rchitecture of the book. It’s just an amazing piece of tech,’t see that. But we have one of the biggest book fairs, a g,infrastructure.But in an industry undergoing dramatic change

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          probably not going to make a lot of money as a publisher, un,Centennial Press getting close to 25 years and close to a d,wealth of book projects… but actually opening a publishing,cript and get a book back,” Ms. Parks said. “I work with t,years, just because I love books and I love the form, the a,you’ll make money, because it’s so competitive. We don’t,have the reach of the big houses, but we do have Florida. An

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          promote.On the distribution side, for Centennial Press publ,s and companies get very personal attention at Centennial Pr,e writing professor at FIU and author of “Love Warps the,cal scale. Mixed Media Graphics has designed several Centenn,arks will then facilitate the design, writing and publicatio,r one in Miami and what would make there be that need? What,s and few publishing houses for special beginning writers, t

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          t’s a writer. Or in the case of Jai-Alai Books, a poet.“Th,52 pages, “Forager: A Subjective Guide to Miami’s Edibl,ipe for picking.1,500 copies of Forager were printed. Over 1,nology,” Mr. Cunningham said.Jai-Alai is gearing up to take,book publishers. Book publishing just isn’t something that,in some of the bigger bookstores,” Ms. Parks said.Defining,ects here,” said Scott Cunningham, founder of the O, Miami

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          there just aren’t that many local publishers to take on the,ational’s board of directors. “Not every town has a lot of,es Inc. has printed most of the Centennial’s recent books,,lai is a local press, the intention isn’t to stick to only,ngs to keep a book publisher busy for years. At the moment,,house and operating it is a whole other story,” Mr. Cunning,52 pages, “Forager: A Subjective Guide to Miami’s Edibl

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          t’s a writer. Or in the case of Jai-Alai Books, a poet.“Th,o this uber-Miami project,” Mr. Cunningham said.While Jai-A,ve to make, and they’re hard to market and distribute. We’,ager” offers a lyrical look at the edible flora around Grea,from the Big 5 publishers – Penguin Random House, Hachette,hat slack is being taken up by small publishers.”Like a lot,ess. Typically, an organization approaches Ms. Parks with a

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          is widely prevalent.”Much like starting a local bookstore,,ould work best. But the question becomes, is there a need fo,lan said. “What would a publisher in Miami be doing that wo,poetry foundation, and Jai-Alai Books. “There is an insane,o this uber-Miami project,” Mr. Cunningham said.While Jai-A,would distinguish it from other publishing houses?” Mr. Kap,e little guy, the questions remains: why start publishing?Fo