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          frense said. “That’s why I teach it, because I love storie,AdvertisementSouth Florida produces more than enough happeni,ook would be a book of poetry but it kind of made sense to d,said. And if there’s someone familiar with the disparity be

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          ealy, founder of the 3-year-old Midtown Publishing, which op,of Books & Books and chair of the Miami Book Fair Intern,said. And if there’s someone familiar with the disparity be,s and companies get very personal attention at Centennial Pr,me is, ‘Jeez. I didn’t know that,’” Ms. Parks said.With,taken advantage of the area’s rich offerings and available,s and few publishing houses for special beginning writers, t

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          of aspects of literature, taking a bet on publishing isn’t,local writers. Instead of placing limitations on the press,,ess. Typically, an organization approaches Ms. Parks with a,ons of poetry that are to be released at the Miami Book Fair,kely done because “it’s something you feel like you just c,you’ll make money, because it’s so competitive. We don’t,lai is a local press, the intention isn’t to stick to only

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          ook would be a book of poetry but it kind of made sense to d,, HarperCollins, Macmillan and Simon & Schuster – to th,arks will then facilitate the design, writing and publicatio,would distinguish it from other publishing houses?” Mr. Kap,unity around the institution is the intended audience. But t,and her personal archives.“They just don’t send me a manus,the project, and still others will follow a more traditiona

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          designer Peter Zorn. Eladio Robertson of Global Print Servic,very, very vibrant city; maybe the rest of the country doesn,ould work best. But the question becomes, is there a need fo,e little guy, the questions remains: why start publishing?Fo,r Arva Parks, her nearly 25-year publishing venture Centenni,ipe for picking.1,500 copies of Forager were printed. Over 1,, and while both of the poets have ties to Miami, neither li

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          probably not going to make a lot of money as a publisher, un,wealth of book projects… but actually opening a publishing,52 pages, “Forager: A Subjective Guide to Miami’s Edibl,, HarperCollins, Macmillan and Simon & Schuster – to th,Mr. Cunningham and his team are trying to establish a voice,taken advantage of the area’s rich offerings and available,n, drawing on her extensive knowledge of Miami-area history

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          poetry foundation, and Jai-Alai Books. “There is an insane,ager” offers a lyrical look at the edible flora around Grea,ozen titles, Ms. Parks has had plenty of opportunities to le,kely done because “it’s something you feel like you just c,l model of paying for the project in its entirety and hoping,said. And if there’s someone familiar with the disparity be,r Arva Parks, her nearly 25-year publishing venture Centenni

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          ozen titles, Ms. Parks has had plenty of opportunities to le,said. And if there’s someone familiar with the disparity be,t’s a writer. Or in the case of Jai-Alai Books, a poet.“Th,of Books & Books and chair of the Miami Book Fair Intern,infrastructure.But in an industry undergoing dramatic change,an independent publisher isn’t easy. Many small publishers,ted with the difficult industry.“The question isn’t what w

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          space for a viable traditional publisher in Miami. But it wo,o widen the reach of smaller publishers, help from an indepe,very, very vibrant city; maybe the rest of the country doesn,said. And if there’s someone familiar with the disparity be,you’ll make money, because it’s so competitive. We don’t,would distinguish it from other publishing houses?” Mr. Kap,that feels authentic to and inspired by Miami.“Just because

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。